Letterboxd Diaries—February 2021
-
Onward: This one’s probably thought of as a “lesser” Pixar film, but I thought it was heartfelt and a lot of fun. They’re able to do that like no one else. (★★★★)
-
The Good Liar: A heist-drama for the older crowd (of which I count myself amongst). I could watch Helene Mirren and Ian McKellen play off each other all day. (★★★½)
-
Avengers: Endgame: This one is as thrilling, engaging, and affecting as it was the first time I saw it. This time I got to enjoy it with my wife, and even she enjoyed it nearly as much as I did. (★★★★★)
-
In & of Itself: I fell into the hype around this one and I’m glad I did. I had no idea what it was going to be going into it, and I think that’s the best way to watch this magical (in many ways) performance. (★★★★½)
-
A Hidden Life: This should really just be required viewing for everybody. I didn’t know the story of Franz Jägerstätter and his family before watching it, but my life has improved in great ways since. (★★★★★)
-
An American Pickle: I think I appreciate the technical accomplishment of this film more than I do the story. It was okay—not that funny, but not painful to watch. (★★★)
-
The Little Things: This might have been Jared Leto’s most appropriate role. Did he even have to act at all? (★★★)
-
WALL•E: I don’t think WALL•E will ever get old for me. It’s an evergreen film that never fails to move and delight me. (★★★★★)
-
What If: Or The F Word, I guess? Can’t make the MPAA blush, so I guess the original had to go. I wish I had seen this one when it came out. Mid-20s me would have loved it. (★★★½)
-
Heavy Metal: This film was certainly of its time and clearly made by a bunch of guys. It was more entertaining than I thought it would be, but I doubt I’ll be remembering it too fondly. (★★½)
-
Spider-Man: Into the Spider-Verse: I can’t say enough great things about this, the best animated film of the last decade. It breathes fresh life into the character of Spider-Man, and shows that another adaptation doesn’t have to be tiresome or stale. (★★★★★)
-
The Girl with All the Gifts: I’d call this a halfway decent adaptation of a halfway decent novel, although the novel had a slightly better ending. The entire concept is fascinating and has echoes of Richard Matheson’s I Am Legend. (★★★½)
-
By the Sea: Aside from this one being far longer than it needed to be, I don’t understand why it was received so poorly. My best guess is that it felt like an old French film, appropriate considering its setting, and people just aren’t used to that anymore. (★★★★)
-
6 Underground: I had more fun watching this movie than I had any right to, and I place that honor squarely on Ryan Reynolds’s shoulders. Was the story and the editing great? Nah, but that’s what you should expect when you start a Michael Bay film. This was just a fun way to spend some time. (★★★½)
-
Loving Vincent: A relatively simple story makes way for a truly astonishing work of art. The entire dang thing is done in oil paintings. I was invested and wowed in this film the entire time I was watching it. (★★★★½)
Total movies watched this month: 15.
I really like Letterboxd, and I think you might enjoy it, too. You should sign up for it if you haven’t already. It’s a great and friendly, movie-based social site. If you’re new or old to it, you should definitely give me a follow on there. 🎥