- I enjoyed just about every dang second of it.
- Iām disappointed by the ending of the show.
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While that show had its issues, I donāt think its conclusion was nearly as bad as the internet makes it out to be. But much like Star Wars fandom, nobody hates Game of Thrones quite like a Game of Thrones fan. If youāve spent any time on the internet, you know that subtlety is a rare find. ↩︎
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WARNING: there are some major spoilers beyond this point. ↩︎
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Iām still sad about that one. Seriously, how great were they together? ↩︎
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At least, compared to the rest of his family. ↩︎
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I may be a bit biased here. ↩︎
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Now if we could just get the theme song onto the various streaming platforms! I would love to listen to this song without the aid of HBO Max or YouTube. ↩︎
I canāt recall the last time I binged a show as quickly as I did The Bear.
I donāt know what it was about that barely surviving, dysfunctional as hell restaurant and its cooks, but I was invested. And what a moving final episode of the season!
After finally finishing it with my wife, I can say with great confidence that Cheers had a lovely conclusion.
Watching this show was such a fun way to spend my time.
Title Card: Good Omens (2019ā)
Good Omens was created by Neil Gaiman. It premiered on Amazon Prime in 2019.
The opening titles were done by Peter Anderson Studio.
The show was executive produced by Douglas Mackinnon, Rob Wilkins, Rod Brown, Neil Gaiman, Chris Sussman, Simon Winstone, Josh Cole, John Finnemore, and Caroline Skinner, along with Amazon Studios, BBC Studios, Narrativia, The Blank Corporation. š
Title Card: Pushing Daisies (2007ā2009)
Pushing Daisies was created by Bryan Fuller. It premiered on ABC and ran from 2007 to 2009.
The show was executive produced by Bruce Cohen, Bryan Fuller, Dan Jinks, Barry Sonnenfeld, Peter Ocko, and Brooke Kennedy, along with Jinks/Cohen Company, Living Dead Guy Productions, and Warner Bros. Television. š
āSex Educationā Star Ncuti Gatwa Named Next Doctor in āDoctor Whoā ā
By Alex Ritman at The Hollywood Reporter:
Sex Educationās Ncuti Gatwa is to take command of the TARDIS, having been named the new Doctor in the BBCās Doctor Who. He replaces the outgoing Timelord Jodie Whittaker, who unveiled she was leaving last year. Gatwa becomes the first Black actor to play the iconic figure.
āThere arenāt quite the words to describe how Iām feeling. A mix of deeply honored, beyond excited and of course a little bit scared,ā said Gatwa.
Oh my good gosh, Iām the most excited I could possibly be for this news! Ncuti Gatwa has always been one of the standout actors on Sex Education, a show that I adore. Now I get to see more of them in another incredible show? Happy early birthday to me!
Iām very happy for them and I canāt wait to see their take on this monumental character. Gatwa says,
āUnlike the Doctor, I may only have one heart, but I am giving it all to this show.ā
ā¤ļø
Amazon Freevee Orders āBosch: Legacyā Season 2, Inks Disney Movie Licensing Deal ā
Amazon Freevee (formerly IMDb TV) announced the pickup of Season 2 of āBosch: Legacy,ā a spin-off of series āBoschā that ran for seven seasons on Prime Video ā ahead of the May 6 premiere of āBosch: Legacyā on the ecommerce giantās free, ad-supported streaming service.
All I care about here is Bosch and now weāre all guaranteed at least two seasons of this new spin-off. Everyone involved seems bullish about this show. Iām glad to hear that it wonāt be a stinker.
And Amazon Freevee is still a silly name. Maybe a little clever if you squint your eyes and look at it sideways, but silly.
If you told me that Facebook and Lumon from the show, Severance, are the same place, I would believe it without question.
My wife and I finally finished the tv show, Castle, last night. It took us nearly two years to get through those 173 episodes.
Save for the final few minutes of the last episode, it was pretty great. Iād recommend it to anyone who likes fun procedurals.
Title Card: Animaniacs (1993ā1998)
Animaniacs was created by Tom Ruegger. It premiered on Fox Kids in 1993 before moving to Kidsā WB! in 1995.
The show was executive produced by Tom Ruegger and Steven Spielberg, along with Warner Bros. Animation and Amblin Entertainment.
The opening titles are iconic and always worth watching. š
āFuturamaā Revived at Hulu ā
From Lesley Goldberg at The Hollywood Reporter:
Nearly 10 years after it signed off, Futurama has been revived for a 20-episode run on Hulu[ā¦]
Iāll take any Futurama that anyone ever wants to give me. It was and continues to be one of the best shows to ever grace television.
Co-creator Matt Groening says:
Itās a true honor to announce the triumphant return of Futurama one more time before we get canceled abruptly again.
A part of me also wonders why this is necessary; the final episode from the original run wrapped things up in the nicest possible way.
UPDATE: It was close, but John DiMaggio is involved, too! Now it can proceed.
āReacherā Renewed for Season 2 at Amazon ā
Per Amazon, the show is already one of their top five most-watched shows of all time[ā¦]
Iām not even two episodes in and Iām already loving this adaptation. Give me all of this Reacher that youāve got, Amazon. Just hook it to my veins!
Despite my excitement for Dexter: New Blood at the beginning, the final episode left me wanting. I donāt know what it is about the show, but they canāt ever seem to stick the landing.
All that was left were hanging, tattered threads.
After watching what some might consider an obscene, and I consider an appropriate, amount of Frasier, Iām convinced that David Hyde Pierce is one of the great physical comedians. His talents arenāt praised enough.
Like slipping into a warm bath or returning home after a long trip, Dexter: New Blood is a pleasure to watch. Itās also doing a great job of erasing the immense frustration I had with the ending of the original series.
I canāt wait to see where it takes me.
After watching season two episode eight of The Morning Show, Iām more convinced than ever that this thing has no idea what story itās trying to tell anymore.
So, what, letās brush aside the sexual assault issue that started the show in the first place? More COVID instead!
Ruby Rose explains why she left Batwoman, alleges injuries and dangerous working conditions ā
Gabrielle Sanchez, writing for The A.V. Club,
Speaking about her own injuries as Batwoman, Rose explained that she underwent emergency surgery for two herniated discs, with doctors telling her she could have been paralyzed.
The actor said she was required to return to work 10 days after her surgery, with [Warner Bros. TV executive Peter] Roth telling her the crew would lose their jobs and it would cost the studio millions if she did not promptly return. She also alleged Roth hired a private investigator to trail her after she left the show.
And thatās just the tip of the iceberg. Itās a terrible thing to read, and what happened to her is inexcusable. Combined with the recent story about the grotesque treatment Gal Gadot received from Joss Whedon during the reshoots of Justice League, and a clearer picture starts to form. See also: Ray Fisherās hellish time on the same set.
Itās more evident than ever that Warner Bros. and the people running it are rotten to the core. Itās a damn shame. The company has a long history of bringing great entertainment to audiences for decades. I have serious doubts that anything there will change unless they raze it all to the ground and start over again.
Paramount+ has the distinct honor of being the worst streaming service that Iāve ever seen or used. Their competitors arenāt even close. UI issues aside, if I canāt count on it to even just play a chosen video, then it deserves nothing but shame.
Joseph Gordon-Levittās āMr. Cormanā Canceled By Apple TV+ After One Season ā
Despite its relatively small catalog, Apple continues to prove that it wonāt hesitate to cancel an underperforming show. A failed show is always a shame, but I will forever prefer quality over quantity.
After watching the first two episodes of the enjoyable Apple TV+ show, Foundation, the story appears to boils down to this:
āHey girl, would you like some politics to go with your math?ā
After having watched nearly the first couple seasons of Cheers for the first time now, Iām struggling to see the allure of Sam and Diane. These two train wrecks need to break up before one murders the other. šŗ
Netflix: āI see you watched an entire season of a single anime show. Let me offer you some new suggestions. Have you considered watching every anime ever produced now?ā
Me: āā¦Youāre coming on a little strong. I think we need to see other people.ā
I really wish Apple would spend as much money marketing For All Mankind as they do for Ted Lasso.
I just finished the amazing second season and this brilliant show deserves far more attention than itās getting. šŗš
I finished watching Schittās Creek a few days ago. The show has been stuck in my mind since then for two reasons:
In fairness, the conclusion of a tv show will never satisfy every viewer, and this is especially true when a show becomes widely watched and beloved. Game of Thrones, anyone?1 However, for a show as smart and caring as Schittās Creek, I expected more real growth from the main characters than what we got.2
The Rose family blew through the town of Schittās Creek like a slow whirlwind, affecting its citizens in myriad ways. The tears and heartfelt goodbyes that the Roses received when three-quarters of them left in the series finale demonstrated that they all left indelible marks on those with whom they had relationships. Therefore, it leaves a hollow feeling when itās only David who stays behind. The rest leave with some fond, peculiar memories, but in some cases, little personal growth.
Were it not for his new husband, Patrick Brewer, David would have been out of the town in a flash, opening up a new location for his Rose Apothecary somewhere in New York City. That is, if he had ever been able to open up the Schittās Creek store in the first place without Patrickās help. Iām grateful for his sensible realization that heād be happier with his husband and business in the place thatās given him so much. His new house isnāt half bad either.
Alexisās exit made the most sense. Sheās at the beginning of a grand new adventure. Her blossoming PR firm, Alexis Rose Communications, was born out of her determination to get her G.E.D., find something to do with her life, and chase after that goal. Itās a great tragedy that her relationship with Ted Mullens had to end for her to achieve her dream (and he to achieve his), but sometimes life gets in the way of even the best relationships.3 Alexisās life before her time in Schittās Creek was certainly colorful, but it was aimless. By the end of the show, sheād found an exciting path to travel. It just so happened that the path led away from the town. Nevertheless, her emotional parting conversations with Twyla Sands show that she understands the value of her time spent there.
Johnny, always the patient, level-headed patriarch,4 birthed a new business with the help of the wonderfully acerbic Stevie Budd. Their sure-to-be successful chain of motels will give them all security and purpose, along with, one can assume, a new mountain of cash. Why the headquarters of Rosebud Motels couldnāt be located in Schittās Creek, I have no idea. How nice would it have been to give back to the town, and Roland and Jocelyn Schitt, that took the Rose family in at their lowest point by making it a major hub for this business? California is nice,5 but why is it an essential location? If that was the case, why wasnāt it necessary for Stevie to come along to California? Itās an interconnected world. They started the new business in Schittās Creek and got noticed, so why couldnāt they keep that momentum up in the city?
Moira may have been the worst of the bunch, in this case. As we saw in the season five finale, titled, Life Is a Cabaret, upon learning that her beloved crows movie wouldnāt be getting a premiere event or distribution deal, she let out a scream to split the heavens and collapsed into a sorrowful heap. She spent a decent amount of the subsequent episode in a near-catatonic mess, hiding in her closet behind its flimsy accordion door. Her hard work was going to go unseen, but more tragically, her burgeoning ticket out of the titular town was being stolen from her.
However, when things turn around for The Crows Have Eyes III: The Crowening, leading to her reprisal in the reboot of her star-making soap opera, Sunrise Bay, she ultimately takes the role. The job would necessitate her presence on set outside of Schittās Creek, but why couldnāt the town be her home during the showās downtime? Instead, sheās always been the most eager to return to a life of recognition and riches. Itās a shame to never see that desperation fade. I do not doubt that she became a better person since losing her past life, but even the newfound closeness her family experienced was never enough to fill the hole that fame dug into her. Even after her heavy goodbyes to the group that loved her the mostāher fellow Jazzagalsāshe was all too willing to put the town in her rearview mirror, so to speak.
I loved this show and will surely watch it again in the future. However, the ending could have had a better messageāone of growth, appreciation, and love for the people of Schittās Creek. They were always more welcoming and caring than the people who turned their backs on the Rose family at the beginning of the show. The journey was fun, but for me, still fell short of being spectacular. šŗ
Iām finding myself less interested in absorbing any sort of news and more interested in just watching a lot of ā90s WB cartoon shows.
Title Card: Raised by Wolves (2020)
Raised by Wolves was created by Aaron Guzikowski. It premiered on HBO Max on September 3, 2020. The show was produced by Film Afrika Worldwide, Lit Entertainment Group, Scott Free Productions, and Studio T. The titles were directed by Steven Small and created at Studio AKA.
In the future, there is a war between the devout Mithraic believers and the atheists. Following the destruction of Earth, two androids are tasked with traveling to Kepler 22-b and raising children on this new planet. Mother, played by Amanda Collin, and Father, played by Abubakar Salim, develop a small community with their children. All is as well as this new life can be, until a straggling colony of Mithraic humans crash lands on the planet after Mother destroys their ship. The remaining humans manage strife within their ranks while trying to save their children that have been taken by the androids. Within this colony are two atheists who are hiding their true identities: Marcus (once known as Caleb), played by Travis Fimmel, and Sue (once Mary), played by Niamh Algar. Marcusās devout atheism (and Sueās trust in him) is tested when he begins to believe that he has a divine presence living inside him.
I love a good Ridley Scott production and this one has it all: androids, mysterious planets, human drama (even amongst the non-humans). While the famed director may not have been the leading creative force behind the show, his name is still powerful enough to make this show required viewing. Now that Iāve finished the first season, Iām left with a thousand more questions than when I started watching it. What secrets does Kepler 22-b really hold? Why does Marcus believe heās basically the second coming of this Mithraic god, and is it actually one of the androidsā children? What in the absolute hell was that flying snake monster that Mother birthed? Iām really looking forward to the second season where I hope many of those questions will be answered. Iām especially hoping that this show wonāt be axed because itās too expensive for the viewership it might be receiving.
This show is a great example of how to tell a story without bludgeoning an audience over the head with a mountain of exposition in the first episode. By the end of the first episode, you are not going to know what brought the androids to Kepler 22-b, you wonāt know the full extent of the war thatās happened on Earth, and you sure as heck wonāt know the full capabilities of all characters involved. Thereās nothing but hidden layers here. I like a show that invites its viewers to unravel its mystery slowly. It requires a lot, but it gives a lot in return.
The full opening titles for this show are transformative to behold. Iāve never seen anything quite like it. The dark, painterly quality of them makes for a melancholic and tense mood. Accompanied by the ethereal voice of Mariam Wallentin and the composition by Ben Frost, the titles are transformed nearly into a contradiction. Some may find only gloom in them and I wouldnāt disagree with that assessment. However, I think thereās also great beauty in the pairing of these images and the music. Even if you donāt want to watch the show, I think the titles are worth your time.1